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VERSION:2.0
CALSCALE:GREGORIAN
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BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220922T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220922T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241185868
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220923T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220923T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241187917
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220925T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220925T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241192015
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220927T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220927T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241195089
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220928T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220928T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241197138
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220929T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220929T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241198163
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20220930T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20220930T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241200212
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221002T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221002T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241204310
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221004T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221004T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241207384
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221005T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221005T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241209433
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221006T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221006T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241210458
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221007T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221007T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241212507
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221009T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221009T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241216605
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221011T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221011T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241219679
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221012T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221012T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241221728
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221013T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221013T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241223777
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221014T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221014T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241224802
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221016T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221016T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241228900
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221018T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221018T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241231974
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221019T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221019T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241234023
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221020T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221020T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241235048
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221021T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221021T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241237097
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221023T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221023T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241240171
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221025T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221025T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241244269
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221026T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221026T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241246318
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221027T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221027T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241248367
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221028T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221028T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241249392
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221030T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221030T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241253490
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221101T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221101T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241257588
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221102T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221102T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241258613
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221103T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221103T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241260662
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221104T150000Z
DTSTAMP:20260415T222222Z
DTSTART:20221104T140000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241262711
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221106T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221106T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241266809
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221108T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221108T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241269883
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221109T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221109T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241271932
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221110T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221110T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241273981
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221111T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221111T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241275006
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221113T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221113T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241279104
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221115T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221115T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241282178
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221116T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221116T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241284227
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221117T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221117T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241286276
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221118T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221118T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241288325
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221120T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221120T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241292423
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221122T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221122T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241295497
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221123T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221123T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241297546
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221124T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221124T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241298571
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221125T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221125T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241300620
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221127T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221127T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241304718
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221129T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221129T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241307792
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221130T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221130T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241309841
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221201T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221201T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241311890
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221202T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221202T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241313939
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221204T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221204T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241319061
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221206T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221206T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241323159
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221207T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221207T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241325208
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221208T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221208T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241327257
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221209T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221209T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241329306
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221211T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221211T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241333404
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221213T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221213T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241337502
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221214T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221214T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241339551
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221215T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221215T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241341600
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221216T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221216T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241343649
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221218T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221218T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241347747
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
BEGIN:VEVENT
CATEGORIES:
DESCRIPTION:Philadelphia-area artist William Earle Williams (b. 1950) uses 
 his camera to expose the obscured histories of chattel slavery in the US an
 d transform how everyday places are understood and experienced. His most re
 cent body of work examines this history within a global context and how the
  development\, growth\, and malevolent persistence of slavery intersects wi
 thin Great Britain\, the US\, and the British West Indies.\n\nA Wicked Comm
 erce presents Williams’s examination of the transatlantic slave trade in fo
 rty-three photographs\, many exhibited for the first time. Featuring sites 
 in British port cities\, Caribbean islands\, and the US—south and north—the
 se pictures reveal the infrastructures that fueled the triangular trade and
  positioned Britain and the US as industrial powers\, simultaneously creati
 ng an institution that damaged innumerable lives and continues to persist i
 n their physical and social landscapes.\n\nThe exhibition is accompanied by
  a Picker Laboratory for Academic Engagement (PLAE) Space installation\, fe
 aturing additional photographs from Williams’s Underground Railroad series 
 and examining the triangular trade’s local history.\n\nWilliam Earle Willia
 ms is the Audrey A. and John L. Dusseau Professor in the Humanities\, Profe
 ssor of Fine Arts\, and Curator of Photography at Haverford College in Have
 rford\, Pennsylvania. His photographs have been widely exhibited\, includin
 g group and solo exhibitions at the Cleveland Museum of Art\, the George Ea
 stman Museum\, the Museum of Fine Arts\, Houston\, the National Gallery of 
 Art\, Smith College\, and the Center for Documentary Studies at Duke Univer
 sity. His work is represented in many public collections\, including the Ph
 iladelphia Museum of Art\, the Cleveland Museum of Art\, The Metropolitan M
 useum of Art\, the Museum of Fine Arts\, Houston\, and the National Gallery
  of Art. Williams has received individual artist fellowships from the Pew F
 ellowships in the Arts\, the Pennsylvania Council on the Arts\, and the Joh
 n Simon Guggenheim Memorial Foundation.
DTEND:20221220T160000Z
DTSTAMP:20260415T222222Z
DTSTART:20221220T150000Z
LOCATION:Picker Art Gallery\, Dana Arts Center\, 2nd floor
SEQUENCE:0
SUMMARY:A Wicked Commerce: The US and the Atlantic Slave Trade Through the 
 Lens of William Earle Williams
UID:tag:localist.com\,2008:EventInstance_40924241351845
URL:https://calendar.colgate.edu/event/a_wicked_commerce_the_us_and_the_atl
 antic_slave_trade_through_the_lens_of_william_earle_williams
END:VEVENT
END:VCALENDAR